UNIDADES DE APRENDIZAJE HISTORIAS ENTRELAZADAS

  • Dear interested readers and educators

    By Nana Adusei-Poku After working/observing and thinking with the Another Roadmap Research teams over the period of three years, I would like to use this opportunity to emphasize the sensitivity with which each workgroup worked on their often very difficult historical material. Many of the sources, visual and textual are carefully used in the learning…

  • Discrepancies between Paulo Freire’s Method of Critical Literacy and Andean World-Views

    WORKING GROUPS: QUITO, CUERNAVACAAUTHOR: ALEJANDRO CEVALLOS ABSTRACT The work itinerary that we propose in this learning unit consists of materials, texts, images and personal anecdotes that Sofía Olascoaga[1] and I gathered on a visit we made to WAMAN WASI, a center of cultural affirmation and recovery of Amazonian Andean peasant technologies in Lamas Peru. The questions we…

  • Path: Missionary dimensions in Arts Education

    A wholistic interrogation and analysis of the extent to which western missionary leadership and autonomy configured arts education in the Global South. These learning units explore the ways in which missionaries, though noble in their cause, were supremacist in their process. Through the research carried out by these working groups, we learn that missionary intervention…

  • Reflection of Practices through Dialogue with Images and Written Conversations – Activation of Archives of Popular Education

    WORKING GROUP: BOGOTÁ AUTHORS: MOISÉS LONDOÑO, NICOLÁS NAVAS, MÓNICA ROMERO, LYZ TORRES, JOHN VÁSQUEZ, MIGUEL VEGA, MARCELA GARZÓN ABSTRACT This Learning Unit shows, with the help of a video we as Bogota Working Group produced, a possibility of how to put central concepts of Paulo Freire into a new and present context. We propose to…

  • Reengaging Freire: Paulo and Elza in Geneva

    WORKING GROUP: GENEVA/ZURICH AUTHORS: MICROSILLONS – MARIANNE GUARINO-HUET, OLIVIER DESVOIGNES ABSTRACT This Learning Unit offers historical information about the ten years the pedagogue Paulo Freire (1921, Recife – 1997 São Paulo), his wife Elza and their children spent in Geneva in the 1970s. It also presents four experiments, realized by autonomous gallery educators, to reinvent…

  • Reengaging Freire: Decoding and Re-coding Freire’s “Generative Images” and Critical Arts Education

    Image from: Institut d’action culturelle IDAC. Féminin Pluriel. De L’éducation Des Femmes. IDAC Document 21. Geneva, 1980. WORKING GROUP: GENEVA/ZURICH AUTHORS: NORA LANDKAMMER ABSTRACT How do we engage students or participants of a learning programme in a gallery in discussing an artwork  in a critical and potentially emancipatory manner? This Learning Unit proposes to reflect…

  • Reconstructing the Route – Importation of German Art Educational Ideas

    WORKING GROUP: HONG KONG AUTHORS: CHENG YUK LIN ABSTRACT This learning unit aims at helping the readers to get a glimpse of the big picture of the importation of German art educational ideas to China in the early 20th century. This big picture includes the importation of Western visual arts, aesthetics and art education before…

  • Pedagogy and Criticism of Capitalism in West Berlin from 1969

    WORKING GROUP: BERLIN AUTHORS: CLAUDIA HUMMEL ABSTRACT 1970, West Berlin. At the height of the Cold War, three years after the revolts staged by students, particularly in Paris, Frankfurt, and (West) Berlin, the publisher Basis Verlag started calling itself a socialist collective. The name of the publisher “Basis Verlag” unmistakably refers to the Marxist pair…

  • Path: Working with images

    In most respects, working with images (whether still or moving) is one of the older modalities of art education, but the preponderance and sheer volume of sensate triggers that presently confront the contemporary beholder call upon much more than scanning and taking in the visual field. The learning units that take on this mode of…

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